Jonathan Herbert Artist

Thursday, September 23, 2010

I HAVE MOVED! to wordpress

Please, is you are looking for the blog for Jonathan Herbert Artist, please click HERE

There have been new posts. There will be new posts. Come visit.

Friday, April 16, 2010

Does This Society Make My Ass Look Fat?

8w461 Naked Girl 24 x 18 inches acrylic on paper

I refuse Hollywood, TV, magazines, newspapers, radio and as much advertising as I can manage to avoid, in all its forms. New York City often reminds me of the opening scenes of Blade Runner (a movie I did see, and really liked).

On the other hand, I remember the peace I felt in Tulum, almost completely devoid of the clamor of the propaganda machine as it attempts to willfully erode one's self-esteem, offering up external solutions to lighten your wallet but never your load.

If you don't know this book, you may find it interesting: When Society Becomes an Addict by Anne Wilson Schaef

It's wonderful to learn, as our moment alive continues, that life never gets less delicious, less sensual or erotic. Aging is a powerful, giving process. And death is sacred.

Friday, January 22, 2010

SEX PAINTING: masturbating girl with steel dildo

Masturbating Girl 9w*** 30 x 22 inches acrylic and charcoal on rives bfk
PLEASE NOTE: this is a preliminary IPHONE photo, filtered and sharpened and whatnot in photoshop, but STILL, ya know ! I will repost this after it is shot with the great lens and camera body. It will look better then.

Now this painting was a lighthearted undertaking. I mean I can only immerse my heart and soul in re-experiencing the death of Suzanne from that grinding, pernicious cancer for just so long before turning my heart and soul to the erotic and delicious vision of a beautiful girl masturbating with the justly famous nJoy Eleven (a steel dildo that is a thing of sculptural beauty in itself)!

Sunday, January 10, 2010

DEATH PAINTING

Suzanne Dying 9wxx1 30 x 22 inches acrylic and charcoal on rives bfk

PLEASE NOTE: this is a preliminary IPHONE photo, filtered and sharpened and whatnot in photoshop, but STILL, ya know ! I will repost this after it is shot with the great lens and camera body. It will look better then.

The reference for this painting is also from December 20th, 2009, eleven days before Suzanne's death from metastatic hemangiopericytoma. I have come to call them death paintings, but I often think of them as KADDISH which is the Hebrew prayer for the dead.

For one thing I know: that nine-year journey from the diagnosis of the first brain tumor to her final surrender was a holy path I was blessed to be allowed to share, and at the moment of death God shook the universe and I howled.

Thursday, January 7, 2010

DEATH PAINTING: preparatory study

SUZANNE DYING 9d*** graphite on paper 18 x 16 1/2 inches (irregular)

So, in honor of my commitment to make this blog more of a view into my studio practice and personal process–foolish to try to separate in an artist, I believe–I am uploading a study, the second one for what may be my next DEATH PAINTING. The inspiration and reference for this image was probably shot on December 20th, 2008, eleven days before her death from metastatic hemangiopericytoma.

I've been asked why I'm making these paintings. Every time I work on one I must pay a huge emotional toll. Nor do I expect there to be a clamoring to decorate the living room with this work. I have to make them. It's certainly a memorial; it is also part of my process of integrating and releasing this horrific and seemingly premature death. Suzanne was 51.

Thursday, December 31, 2009

DEATH PAINTING: my wife died a year ago today

Suzanne Dying 9w074 conté and acrylic on rag paper 19 1/2 x 18 inches

A year ago this morning my wife, Suzanne Mauer, died after a nine-year battle with metastatic hemangiopericytoma. Her doctors, Ronald Blum at Beth Israel and Robert Maki at Sloan Kettering, were wonderful doctors and loving men. Suzanne's death was long, lingering, agonizing, and included a vicious and very expensive legal battle to get treatment approved by her insurance carrier. She went, in a wheelchair, to Albany to talk to the lawmakers in the Capitol and, based on that trip and the incredible help of Mark Scherzer, there is now a New York State law that says that a person with a rare disease cannot be denied coverage based on a lack of "clinical studies".

She was tough, loving and complicated. Her computer screen saver said "LOVE RULES." These paintings are love letters. And I will continue making them until they stop demanding to be made. The hell with decorative painting.

Tuesday, December 22, 2009

PAINTING. Dying of Cancer

Suzanne PostOp 4w014 gouache and conté on paper 24 x 18 inches

It is a dark time for me now. I feel a great deal of grief. A year ago exactly, my late wife Suzanne decided to stop her battle against cancer. Hemangiopericytoma. Nine years. She didn't go to treatment that day, or ever again. I know I have posted the DEATH PAINTINGS before, perhaps all of them. I don't know if I posted this gouache I painted just after her vertebrectomy in 2004.

Today was the Winter Solstice. Mehr Licht.

Friday, December 18, 2009

SEX PAINTING

Face First 81o002 oil on linen 24 x 36 inches

from the archives:
1981
painted in the Hell's Kitchen loft at 40th and 9th,
across the street from the bus station

Wednesday, December 9, 2009

SEX AND SURRENDER at ARTEROTICA 6

sybarite productions proudly presents

JONATHAN HERBERT

four limited edition prints from

SEX AND SURRENDER

at ArteRoTica 6

an exhibition and performance of the erotic

THURSDAY

10 DECEMBER 2009

7PM TO MIDNIGHT

Madame X

94 West Houston Street, Greenwich Village

(all guests of Jonathan Herbert admitted free to nightclub)

You can click to be whisked to my newly updated website: biographical information and a number of recent bodies of work are on display, including images of my NAKED GIRL series and from my latest work SEX AND DEATH, inspired by my wife's nine-year battle with cancer and her death on New Year's Eve 2008, and by our innate erotic response to the harsh fact of our mortality.

Four limited edition prints from the larger series SEX AND SURRENDER, by JONATHAN HERBERT, will open at Madame X, 94 West Houston Street, on December 10th, from 7pm to midnight. The work is being mounted at the December ArteRoTica, a monthly event created and produced by Sybarite Productions, Inc., and partners.

SEX AND SURRENDER focuses on the erotic nature of power exchange. On view are limited edition prints of paintings of women who are sexually aroused by being tied up. Says Herbert, "The trinity of sex, death and redemption are the themes I explore in my art.”

Since 2003 he has worked in a studio in the Fulton Ferry area of Brooklyn. It is obvious to even the casual viewer that Herbert has an abiding love affair with paint, the substance; like the alchemists, he works in a pre-scientific, pre-technological, approximate and mysterious world. Herbert graduated from the School of the Museum of Fine Arts, Boston.

His website is www.jonathanherbert.com; recently he has begun to write about his artistic process his on this blog, as well as posting new work as it is shot.

Tuesday, December 8, 2009

WHAT IS WORK FOR AN ARTIST?

When I was a young art student at the Museum School in the 70's, I was moping down the hall one day, depression blaring from my every cell. I admit it was because I could not get my latest obsession du jour to do the horizontal mambo with me, but my mentor and friend John Thompson, Dean of Students, was unaware of that.

Dean Thompson assumed rather that I was troubled by a dip in my creative output. He took me into his office and said, "Jonathan, when others are lying in the park watching the clouds go by, they are goofing off. When you do it, you are working! Remember that every artist needs fanny time as much as hand time." Those words, exactly.

In this dark December, the first after the death of my wife, I look at my studio, devoid of new work for a month or so, and remember John Thompson's words. I know I am still in process on both the DEAD SUZANNE and the new MASTURBATION paintings. I'll post some sketches I've just completed when I shoot them.

Sunday, December 6, 2009

DAYS GO BY...NO STUDIO TIME

I've been doing so much of the business chores of art, that it has been too long since I was in the studio. When I knew I wanted to be an artist, what I didn't know was that one day I would be buried in inventories on excel while rebuilding a website, and social networking in a world of web2.0

I have more DEAD SUZANNE paintings to do...they are in my head. I am starting to the huge malaise that builds as days go by without painting.

The "new" profile picture is one of me in my studio around 1985 or so. It was at 1255 Manhattan Avenue in Greenpoint, Brooklyn. The oil painting behind me is called Up First near the Queensborough, and I hope to find it in storage. It was one of a large body for work called VIEWS FROM A YELLOW CAB. Somebody wants to buy a print. I don't remember selling it; 1985 is so far from these days of excel inventories and digital archiving of my work.

At least the new website is up!!

Friday, October 16, 2009

SEX PAINTING

Masturbating Girl 9o008 24" x 24" oil on linen

This painting and other related SEX AND DEATH artworks can be viewed on my website.

JONATHAN HERBERT

Saturday, October 10, 2009

SEX AND SURRENDER an art exhibit

Sybarite Productions, Colors Consulting Group & Trace Magazine present
Jonathan Herbert
Sex and Surrender
The featured exhibit at ArteRoTica
Madame X, 94 West Houston Street on Thursday October 15th 7 p.m.

SEX AND SURRENDER, a solo exhibit of limited edition prints by JONATHAN HERBERT will open at Madame X, 94 West Houston Street, on October 15th, from 7pm to midnight.

SEX AND SURRENDER focuses on the erotic nature of power exchange. On view are limited edition prints of paintings of women who are sexually aroused by being tied up.

Says Herbert, “Painting I believe, is prayer; thus my work is the direct, 21st century descendant of the medieval monk’s devotional vocation. Further, my approach to art is based on the understanding that the role of the artist is similar to that of the shaman in primitive societies. It is our calling to go where the rest of the tribe cannot, bring back the experience of those difficult spiritual realms and translate it for general consumption. For example I, a member of a necrophobic society, immerse myself in my wife’s journey into death; the paintings that result are gut-wrenchingly powerful and deep, but ever so more gentle than “that good night” which claimed her. Alternatively, in a society conflicted about sexuality, I fan the flames of my libido and pour that energy and experience onto canvas and paper. I see beauty in desolate city streets and agony in a rose opening under a twilit sky.

The trinity of sex, death and redemption are the themes I explore in my art.”

Jonathan Herbert grew up in a house in which the walls were covered with paintings, drawings, and Japanese prints. He was a Museum of Modern Art regular from infancy, and has been an artist for forty years. Since 2003 he has worked in a studio in the Fulton Ferry area of Brooklyn. It is obvious to even the casual viewer that Herbert has an abiding love affair with paint, the substance; like the alchemists, he works in a pre-scientific, pre-technological, approximate and mysterious world. Herbert graduated from the School of the Museum of Fine Arts, Boston. His website is http://www.jonathanherbert.com/.

Curated by Alaric Campbell, ArteRoTica exhibits monthly the works of carefully chosen, New York artists whose work explores erotic themes. Taking place at Madame X, at 94 West Houston Street, in the heart of New York’s West Village, the event features displays of erotic art – fine art, photography, and performance art.

Email Jonathan Herbert for further information.